Portals : the visionary architecture of Paul Goesch / Robert Wiesenberger and Raphael Koenig

Bibliographische Detailangaben
VerfasserIn: Goesch, Paul (VerfasserIn)
Weitere Personen: Wiesenberger, Robert (MitwirkendeR), Koenig, Raphaël (MitwirkendeR)
Format: Foto
Sprache:English
Veröffentlicht: Williamstown, Massachusetts ; New Haven ; London : Clark Art Institute, [2023]
Schlagworte:
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035 |a (OCoLC)1369264671 
035 |a (DE-627)1833828984 
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090 |a BK2 Goesch, Paul BG-Hb 0374/2023B 
852 |a BK2 Goesch, Paul BG-Hb 0374/2023B 
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100 1 |a Goesch, Paul  |4 aut 
245 1 0 |a Portals  |b the visionary architecture of Paul Goesch  |c Robert Wiesenberger and Raphael Koenig 
264 1 |a Williamstown, Massachusetts ; New Haven ; London :   |b Clark Art Institute,  |c [2023] 
300 |a 103 Seiten 
336 |b sti  |2 rdacontent 
336 |b txt  |2 rdacontent 
338 |b nc  |2 rdacarrier 
337 |b n  |2 rdamedia 
500 |a Titelblattrückseite: Published on the occasion of the exhibition "Portraits: The Visionary Architecture of Paul Goesch" presented at the Clark Art Institute from March 18 to June 11, 2023 
505 1 |a The first monographic publication in English on German Expressionist artist and architect Paul Goesch, whose extraordinary architectural fantasies were produced while he was institutionalized for schizophrenia. Artist and architect Paul Goesch (1885-1940) created one of the most inventive, peculiar, and poignant bodies of work to emerge from Weimar Germany. His vibrant drawings teem with invented ornament and resemble little else made then or since. Goesch, who exhibited widely in avant-garde circles, did so while institutionalized for schizophrenia--a condition for which he was ultimately murdered by the Nazi regime. This monograph makes Goesch's extraordinary creations accessible to an English-speaking audience for the first time. It presents more than thirty examples of his drawings from the collection of the Canadian Centre for Architecture in Montreal, as well as work by his peers in the Expressionist "Glass Chain" group. Goesch's subject matter is mainly arches, passageways, and portals, which are taken here as a metaphor for the artist's anthroposophic beliefs and altered states and his liminal status as both an insider and outsider, whom critics have never been able to categorize clearly. The authors discuss Goesch's production and reception and posit his enduring art historical significance. 
655 4 |a Bildband 
655 4 |a Ausstellungskatalog, Sterling and Francine Clark Art Institute, 18.03.2023-11.06.2023, Williamstown, Mass 
700 1 |a Wiesenberger, Robert  |4 ctb 
700 1 |a Koenig, Raphaël  |4 ctb 
710 2 |a Sterling and Francine Clark Art Institute  |4 isb 
952 |i BG-Hb 0374/2023B 
099 1 |a 20230630